My Black History: The Case for Black Art in an Anti-Presidential Era

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A man stands in front of the Djingareyber mosque on February 4, 2016 in Timbuktu, central Mali. 
Mali's fabled city of Timbuktu on February 4 celebrated the recovery of its historic mausoleums, destroyed during an Islamist takeover of northern Mali in 2012 and rebuilt thanks to UN cultural agency UNESCO.
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From: The Root

Authored by: Maiysha Kai

Anastasia_Aleksieieva for iStock

InMy Black History: The Case for Black Art in an Anti-Presidential Era”, Maiysha Kai explains the power black art holds in the current political state of the United States.

She explains how, “The Black Arts Movement that followed was a direct response to the loss of our most prominent leaders of the 1960s, as well as our subsequent rejection of the desire to assimilate into any American culture invested in our marginalization. Even hip-hop has origins in the response of black and brown youths to a society that simultaneously disenfranchised and criminalized them en masse, the tenor of which would come to a head in the turbulent rise of “gangsta rap” in the 1990s.” 

Kai explains how African American’s are empowered through their art; letting their art speak social change by being an “expression of resistance but also a visible and visceral expression of the human experience.”

With the loss of an African American President, there is widespread “post-black”  and “post-racial” which in turn is leading to the “rise of black art in America.”

Read more Breaking News from ABHM here!

To read the full article, check out The Root!

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