Netflix’s Dear White People digs into everyday racism

Share

Explore Our Galleries

A man stands in front of the Djingareyber mosque on February 4, 2016 in Timbuktu, central Mali. 
Mali's fabled city of Timbuktu on February 4 celebrated the recovery of its historic mausoleums, destroyed during an Islamist takeover of northern Mali in 2012 and rebuilt thanks to UN cultural agency UNESCO.
TO GO WITH AFP STORY BY SEBASTIEN RIEUSSEC / AFP / SÉBASTIEN RIEUSSEC
African Peoples Before Captivity
Shackles from Slave Ship Henrietta Marie
Kidnapped: The Middle Passage
Enslaved family picking cotton
Nearly Three Centuries Of Enslavement
Image of the first black members of Congress
Reconstruction: A Brief Glimpse of Freedom
The Lynching of Laura Nelson_May_1911 200x200
One Hundred Years of Jim Crow
Civil Rights protest in Alabama
I Am Somebody! The Struggle for Justice
Black Lives Matter movement
NOW: Free At Last?
#15-Beitler photo best TF reduced size
Memorial to the Victims of Lynching
hands raised black background
The Freedom-Lovers’ Roll Call Wall
Frozen custard in Milwaukee's Bronzeville
Special Exhibits
Dr. James Cameron
Portraiture of Resistance

Breaking News!

Today's news and culture by Black and other reporters in the Black and mainstream media.

Ways to Support ABHM?

By

Vox.com

Netflix

Justin Simien’s new Netflix show — the TV version of his 2014 movie of the same name — doesn’t take shortcuts. After breaking down the basics of what makes Winchester tick, Dear White People drops us right into the middle of the particularly messy aftermath of a “Dear Black People” party, which started with students in blackface and ended with royally pissed off black students giving them hell for it. Campus radio host Sam White (Logan Browning) — who helms the blistering “Dear White People” show that the party was mocking in the first place — immediately sets about trying to galvanize the school’s black students into taking a stand the administration can’t ignore.

With that, the show immediately throws us right into Winchester’s sprawling conflicts and interlocking drama. It spits banter so sharp and quick that it slices through even the tensest scenes with laser precision. It digs into the personal wreckage caused by institutional racism with humor, depth, and straightforward clarity.

With heart and humor and a steady gaze, Dear White People makes sure to portray its characters as whole individuals and not just human embodiment of their beliefs. No one is ever reduced to a walking talking point, but given the time and space to reveal who they are, how they got there, and what makes them special — which is, in turn, what makes the show special, too.

Read the entire article here

Read more Breaking News here

 

Comments Are Welcome

Note: We moderate submissions in order to create a space for meaningful dialogue, a space where museum visitors – adults and youth –– can exchange informed, thoughtful, and relevant comments that add value to our exhibits.

Racial slurs, personal attacks, obscenity, profanity, and SHOUTING do not meet the above standard. Such comments are posted in the exhibit Hateful Speech. Commercial promotions, impersonations, and incoherent comments likewise fail to meet our goals, so will not be posted. Submissions longer than 120 words will be shortened.

See our full Comments Policy here.

Leave a Comment