By Yesha Callahan, The Root

If you took a look at the writers’ room of some of your favorite television shows, you’d be hard-pressed to find a black person, and even harder pressed to find a black woman. But for the last decade, Angela Nissel has been leaving her mark behind the scenes on shows like Scrubs, The Boondocks and, now, The Jellies—Tyler, the Creator’s Adult Swim show, which premieres Oct. 22.

Before Nissel’s foray into scripted television, she was best-known as one of the creators of Okayplayer and for her two sidesplitting memoirs that captured the essence of her formative years, and of being broke and biracial. Both The Broke Diaries: The Completely True and Hilarious Misadventures of a Good Girl Gone Broke and Mixed: My Life in Black and Whitewere heralded by critics, as well as the likes of Oprah Winfrey and Halle Berry, and Nissel became the “it” woman of literature in the early 2000s.

Angela Nissel, Scenes from ‘The Jellies’ (Adult Swim)

It was those books that set the University of Pennsylvania grad (she graduated with a degree in medical anthropology) on her way to a career in TV. But, of course, Nissel’s ascent into television writing wasn’t easy, especially as a black woman. After being in the game for 15 years, she is still fighting her way into writers’ rooms, and she made it into The Jellies’room even though she thought she hadn’t landed the gig.

“Me being old enough to be Tyler’s aunt, I said, ‘I’ve heard of him,’ but I don’t really know him. And then I researched him. I was nervous in the meeting, but when Tyler came in, he just wanted to get to know about me. Ten minutes later, the meeting was over. I called my agent and was like, ‘I’m pretty sure I didn’t get that job; they thought I was a total nerd,’” Nissel says.

As luck talent would have it, Nissel landed the consulting-producer-and-writing gig on the series, and so her work began. And, yes, she was once again the only black woman in the writers’ room. As Nissel segues back into animation (after lending her talents to The Boondocks), she notes that writing live action and books is totally different from writing for animation, especially when it comes to the fans.

“How many f—— black cartoon characters is it on TV right now?” Tyler responded. “Name five. I’ll give you time.”

Nissel shares similar sentiments about Cornell’s newfound blackness.

“If you don’t like Cornell being black, color him another color in your head. What is wrong with people wanting to see the representation of themselves on-screen?” Nissel asks. “That’s why I think their generation will do better, and hopefully build on what my old-ass generation wasn’t able to do. Tyler is an outsider coming into this industry and wants Cornell to look like him. I don’t understand how anyone can be upset with that.”

With the success of this summer’s blockbuster hit Girls Trip, the spotlight is now shining on funny black women in front of and behind the camera. And Nissel has some savory advice for the bigwigs in Hollywood.

“I wish more people realize that having one voice in the room sometimes isn’t enough because you’re only going to get one point of view. At the end of the day, I just wish people would go outside of the neighborhoods and make friends with people who aren’t exactly like them, so they can bring that to the room if they don’t have the budget to hire 25 women,” Nissel says.

“I really want to create shows that show that women over the age of 40 still have lives, and they can be messy,” she adds. “To talk about the imbalance of women and men, like my own personal story of paying alimony. I want to tell the richness of women of color over 40 because sometimes I look on TV and we’re all dead, except for Oprah.”

The Jellies premieres on Adult Swim at 12:15 a.m. Sunday, Oct. 22.

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