Why Eric Adams Is Nothing Like David Dinkins

Share

Explore Our Galleries

A man stands in front of the Djingareyber mosque on February 4, 2016 in Timbuktu, central Mali. 
Mali's fabled city of Timbuktu on February 4 celebrated the recovery of its historic mausoleums, destroyed during an Islamist takeover of northern Mali in 2012 and rebuilt thanks to UN cultural agency UNESCO.
TO GO WITH AFP STORY BY SEBASTIEN RIEUSSEC / AFP / SÉBASTIEN RIEUSSEC
African Peoples Before Captivity
Shackles from Slave Ship Henrietta Marie
Kidnapped: The Middle Passage
Image of the first black members of Congress
Reconstruction: A Brief Glimpse of Freedom
The Lynching of Laura Nelson_May_1911 200x200
One Hundred Years of Jim Crow
Civil Rights protest in Alabama
I Am Somebody! The Struggle for Justice
Black Lives Matter movement
NOW: Free At Last?
#15-Beitler photo best TF reduced size
Memorial to the Victims of Lynching
hands raised black background
The Freedom-Lovers’ Roll Call Wall
Frozen custard in Milwaukee's Bronzeville
Special Exhibits

Breaking News!

Today's news and culture by Black and other reporters in the Black and mainstream media.

Ways to Support ABHM?

By Ginia Bellafante, New York Times

A black-and-white photo shows several men standing on a ledge around a banner that reads “Dave Dinkins Pro-Crime Candidate,” as a crowd stands in the foreground.
In September 1992, thousands of off-duty police officers descended on City Hall to protest reforms proposed by Mayor David N. Dinkins, the city’s first Black mayor. (Keith Meyers/The New York Times)

In the weeks before he was indicted in a federal corruption investigation, Eric Adams, New York City’s second Black mayor, began regularly comparing himself to David Dinkins, the city’s first Black mayor — a pairing so misaligned it could put you in mind of Donald Trump likening himself to someone like Jimmy Carter. The apparent point was to warn New Yorkers that if they did not back his bid for re-election, the city would reprise its racist past, denying another Black mayor a second term. Mr. Dinkins lost his re-election effort to a race-baiting Rudy Giuliani, while the most serious threats to an Adams win — beyond a criminal prosecution — are coming from the progressive left and include candidates like Zellnor Myrie, a Black state senator with immigrant parents.

[…]

Two years into Mr. Dinkins’s tenure, riots erupted in Los Angeles and other cities upon the news that the officers accused of beating Rodney King nearly to death had been acquitted. It was against that backdrop, in a moment of hope for reform, that the Dinkins administration sought to remove members of the Police Department from the city board tasked with monitoring misconduct in it.

The extent to which the police force, then largely white, hated Mr. Dinkins became clear on a September morning in 1992, when thousands of angry off-duty cops descended on City Hall to protest the initiative. The rioters spread out to nearby bars, many holding up cartoons of Mr. Dinkins, some of which called him a “washroom attendant.” They chanted, “The mayor’s on crack.” Mr. Giuliani, who had lost to Mr. Dinkins in the 1989 election, was also outside City Hall, with a microphone, placing blame for the outraged mood at the Police Department on Mr. Dinkins’s inability to boost morale.

“It was just horrific,” Ken Sunshine, a public relations consultant who had been Mr. Dinkins’s chief of staff, recalled. The cops “were drunk, aggressively screaming,” he continued. “It was one of the worst things I’ve ever seen. This was New York, not Mississippi.”

For all the very real crises that Mr. Adams has had to confront — the troubled post-Covid economy, the continued housing shortage, the arrival of so many migrants — he was handed a much more inclusive city than the one that Mr. Dinkins inherited from Ed Koch. During the 1989 campaign, 54 percent of white Democratic voters said that New York was not ready for a Black mayor.

The New York Times has more.

We cover Black history in our online exhibits.

See the latest in Black news.

Comments Are Welcome

Note: We moderate submissions in order to create a space for meaningful dialogue, a space where museum visitors – adults and youth –– can exchange informed, thoughtful, and relevant comments that add value to our exhibits.

Racial slurs, personal attacks, obscenity, profanity, and SHOUTING do not meet the above standard. Such comments are posted in the exhibit Hateful Speech. Commercial promotions, impersonations, and incoherent comments likewise fail to meet our goals, so will not be posted. Submissions longer than 120 words will be shortened.

See our full Comments Policy here.

Leave a Comment