Lizzo on Hope, Justice, and the Election

Share

Explore Our Galleries

A man stands in front of the Djingareyber mosque on February 4, 2016 in Timbuktu, central Mali. 
Mali's fabled city of Timbuktu on February 4 celebrated the recovery of its historic mausoleums, destroyed during an Islamist takeover of northern Mali in 2012 and rebuilt thanks to UN cultural agency UNESCO.
TO GO WITH AFP STORY BY SEBASTIEN RIEUSSEC / AFP / SÉBASTIEN RIEUSSEC
African Peoples Before Captivity
Shackles from Slave Ship Henrietta Marie
Kidnapped: The Middle Passage
Image of the first black members of Congress
Reconstruction: A Brief Glimpse of Freedom
The Lynching of Laura Nelson_May_1911 200x200
One Hundred Years of Jim Crow
Civil Rights protest in Alabama
I Am Somebody! The Struggle for Justice
Black Lives Matter movement
NOW: Free At Last?
#15-Beitler photo best TF reduced size
Memorial to the Victims of Lynching
hands raised black background
The Freedom-Lovers’ Roll Call Wall
Frozen custard in Milwaukee's Bronzeville
Special Exhibits

Breaking News!

Today's news and culture by Black and other reporters in the Black and mainstream media.

Ways to Support ABHM?

By Claudia Rankine, Vogue

IN OUR NEW WORLD, where travel is no longer advisable and social distancing mandatory, it has been a bit hard to connect with Lizzo. She has been on vocal rest in her home in Los Angeles, while I’m mostly isolated in my house on the East Coast. When a window of time finally opens, she settles in before the Zoom camera dressed casually, her sweater falling off her shoulders. She looks even more youthful than her 32 years, with her hair in two buns, reminding me of another princess, the fictional Leia from Star Wars. Both women took on the world and won. For Lizzo, this was not necessarily in our national script; for a Black woman it is never a given. But Lizzo’s script is an updated one. As she sings in “Scuse Me”: “I don’t need a crown to know that I’m a queen.”

This is not the first time I have encountered the singer. On my birthday last year, my teenage daughter gave me tickets to her concert at Radio City Music Hall in New York City. She knew I would be ecstatic because every morning, as I pedaled away on my stationary bike, Lizzo’s music filled our home. It had been a long time since I first visited Radio City, on a class trip to see the Rockettes. In my memory, they were a line of leggy white women kicking the air—maybe a woman of color or two was included, but they are not who I remember. This time, the Black woman onstage would leave an imprint…

R-E-S-P-E-C-T “I want to make music that helps. ’Cause that’s the way that I help. I’m not a doctor, I’m not a lawyer, I don’t work in the government. I make music.” Taffeta dress by Moschino Couture. Sylva & Cie earrings. Rings and bracelets by Chopard and Tiffany & Co. (worn throughout). Fashion Editor: Carlos Nazario. Hair, Shelby Swain; makeup, Alexx Mayo.Photographed by Hype Williams, Vogue, October 2020

Read the full article here

Learn more about artists and civil rights here and here.

More Breaking News here.

Comments Are Welcome

Note: We moderate submissions in order to create a space for meaningful dialogue, a space where museum visitors – adults and youth –– can exchange informed, thoughtful, and relevant comments that add value to our exhibits.

Racial slurs, personal attacks, obscenity, profanity, and SHOUTING do not meet the above standard. Such comments are posted in the exhibit Hateful Speech. Commercial promotions, impersonations, and incoherent comments likewise fail to meet our goals, so will not be posted. Submissions longer than 120 words will be shortened.

See our full Comments Policy here.

Leave a Comment