Our Four Themes: Remembrance, Resistance, Redemption, Reconciliation

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About ABHM

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Joshua Glover Plaque
Some Exhibits to Come – Three Centuries Of Enslavement
Harriet Tubman, "The Conductor," with fugitive slaves in Underground Railroad station
Bibliography – Three Centuries of Enslavement
Slave Auction Poster
A 1859 Slave Auction in Savannah, as Reported by the New York Tribune
slaves in cotton field
How Slavery Became the Law of the Land “For Blacks Only”
FredDouglass w:firewks
Frederick Douglass: “The Meaning of July Fourth for the Negro”
The Scourged Back: This slave named Gordon ran for 80 miles to join the Union Forces in Baton Rouge, Louisiana, in March 1863. This famous photo of the welts on his badly "scourged back" was taken while he was being fitted for a uniform.
The Scourged Back: How Runaway Slave and Soldier Private Gordon Changed History
"Contrabands": During the Civil War, thousands of slaves escaped their owners in the South by getting to Union Army camps. Thus freed, many continued on to settle in the North.
The Freedmen of Wisconsin
This woodcut, published in 1831 with a story about the Southampton Rebellion, was titled "Horrific Massacre in Virginia."
Nat Turner’s Rebellion: Horrific or Heroic?
Map of the world showing which countries that traffic in humans to the U.S.; map shows how individual countries comply with anti-trafficking laws. The Kansas City Star 2009<p>

With BC-TRAFFICKING:KC, Kansas City Star by Mark Morris<p>

02000000; 08000000; 09000000; CLJ; HUM; krtcrime crime; krtfeatures features; krthumaninterest human interest; krtlabor labor; krtnational national; krtworld world; LAB; krt; mctgraphic; 02001000; 02001007; 02011000; CRI; international law; kidnapping kidnaping kidnap; krtlaw law; 04018000; FIN; ODD; african american african-american black; hispanic; krtdiversity diversity; woman women; youth; eames; human; map; morris; prostitution; slave; slavery; smuggle; smuggled; smuggling; trafficking; victim; kc contributed; 2009; krt2009
Traces of the Trade: The North’s Complicity in Slavery
A man stands in front of the Djingareyber mosque on February 4, 2016 in Timbuktu, central Mali. 
Mali's fabled city of Timbuktu on February 4 celebrated the recovery of its historic mausoleums, destroyed during an Islamist takeover of northern Mali in 2012 and rebuilt thanks to UN cultural agency UNESCO.
TO GO WITH AFP STORY BY SEBASTIEN RIEUSSEC / AFP / SÉBASTIEN RIEUSSEC
African Peoples Before Captivity
Shackles from Slave Ship Henrietta Marie
Kidnapped: The Middle Passage

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In each Gallery of this virtual museum you will find exhibits reflecting one or more of our Four Themes: Remembrance, Resistance, Redemption, and Reconciliation.

REMEMBRANCE:

In every Gallery we remember important historical events and people. Some of these are well-known, but most are not. The stories told in most of ABHvM's exhibits have been left out of our history books or been told incompletely.

 

RESISTANCE:

People of African descent in this country have been targets of injustice for five hundred years, but they have not been simply victims. At ABHvM we also remember the many ways that black people and freedom-loving white people have resisted injustice.

 

REDEMPTION:

Redemption is the act of saving – or being saved – from sin, error, or evil. Sometimes one person redeems another, or many others. Sometimes people redeem themselves. We tell the stories of both kinds of redemption.

 

RECONCILIATION:

The founder of America's Black Holocaust Museum, Dr. James Cameron, said that people should "forgive but never forget" injustices perpetrated against them. He believed that hatred "poisons the hater from within." He taught that accepting the truth about our past sets us free to build a better future. Cameron encouraged us to remember and to speak honestly and respectfully about our shared racial history. He believed this would lead to racial reconciliation and dreamed that Americans of all backgrounds would become "one single and sacred nationality."

Comments Are Welcome

Note: We moderate submissions in order to create a space for meaningful dialogue, a space where museum visitors – adults and youth –– can exchange informed, thoughtful, and relevant comments that add value to our exhibits.

Racial slurs, personal attacks, obscenity, profanity, and SHOUTING do not meet the above standard. Such comments are posted in the exhibit Hateful Speech. Commercial promotions, impersonations, and incoherent comments likewise fail to meet our goals, so will not be posted. Submissions longer than 120 words will be shortened.

See our full Comments Policy here.

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